exhibition X


2022

A site-specific digital intervention within social media platforms

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In Exhibition X, the exploration of deconstruction and immateriality continues, reaching a new level of abstraction that reflects the experience of viewing art in the era of social media culture.






Into green - archival pigment print, lightbox, 2022

Into white | O1 - archival pigment print, lightbox, 2022
 
Into white | BN1 - archival pigment print,  lightbox, 200/143 cm, 2022 


Anthropolysis | S#4YOS - archival pigment print, 120/90 cm, 2022 

Anthropolysis | S#3CHAOS - archival pigment print, 120/90 cm, 2022 


Anthropolysis | SHB.2 - archival pigment print, 122/113 cm, 2021 




about the project
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This project delves into the dynamics of power and economic interests within the art world as a workplace. By creating a virtual exhibition, it investigates the overlap between parallel realities and the tension between truth and fiction. Presented exclusively on social media, the exhibition blurred the boundaries between the virtual and the tangible, as it never physically existed in the space it claimed to inhabit—the virtual exhibition was modeled after a specific gallery space in MoMA PS1.

The project was conceived in preparation for a lecture at Bezalel Academy of Arts and Design, as part of a symposium on realities held by the Department of Photography. During the lecture, the entire process was unveiled, revealing that, for the ten days leading up to the talk, an exhibition had been fabricated that never truly existed. The audience's responses sparked unexpected conversations about the nature of virtual spaces and the distortion of reality. The project embraces glitches and hacking as creative elements, challenging traditional notions of art and space.




exhibition views
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further reading
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  1. The Evolution of FOMO | text from a lecture by Shai-Lee Horodi, presented at the Autonomous Art Biennale, Gymnasia Herzliya,Tel Aviv, April 6, 2023.



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